4,159 posts
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Post by HereForTheatre on Dec 15, 2019 8:38:01 GMT
Lots of stuff been announced already, so what is your No1 musical you are looking forward to next year?
Sorry if I've missed anything out or not included your fave, just let us know your choices in the comments! (I've not included any tours of existing productions or shows that are coming back in their original form after only a brief time.)
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7,534 posts
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Post by alece10 on Dec 15, 2019 8:42:17 GMT
This will be interesting. I've put Hello Dolly mainly because I have never seen it before, love Imelda and paid the most money to see but hot on its heels has to be Sunday in the park.
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Post by dontdreamit on Dec 15, 2019 8:45:33 GMT
Lots of stuff been announced already, so what is your No1 musical you are looking forward to next year? Sorry if I've missed anything out or not included your fave, just let us know your choices in the comments! (I've not included any tours of existing productions or shows that are coming back in their original form after only a brief time.) Mine would fall under this I think- Bat Out Of Hell is the one I’m most looking forward to 🙂
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2,566 posts
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Post by viserys on Dec 15, 2019 9:06:34 GMT
I'm between Prince of Egypt and Back to the Future. Both have the potential to be properly lavish "blockbuster" musicals with great stage sets, costumes and gorgeous music. For now I voted POE, because I already know that the music will be good (based on the movie soundtrack) and the costume designs they recently showed online were promising, too. BTTF could be amazing and fabulous, but at the same time it could also be a massive car crash and I don't mean the DeLorean. I would have added Sleepless to this list, but based on the first reports from the previews this sounds DOA.
The rest of the brand-new shows leave me rather cold, especially the Broadway imports that had a luke-warm reception over there like Frozen and Pretty Woman (which I saw and don't need to see again). Sunday in the Park and Be More Chill I'm excited about due to the casting, but not the same level of curiosity as those brand-new big shows.
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6,358 posts
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Post by danb on Dec 15, 2019 11:14:09 GMT
I surprised myself with my answer (POE). Of the rest probably ‘Back to the Future’ and ‘Be More Chill’.
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2,782 posts
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Post by ceebee on Dec 15, 2019 12:23:41 GMT
Local Hero
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642 posts
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Post by greeny11 on Dec 15, 2019 15:54:49 GMT
Hairspray - it is one of my favourite musicals of all time, and it is the original production and choreography, not the Drew McOnie version (though I like that one, it is not as good as the Jerry Mitchell and Jack O Brien version). I never saw it in London, and not with Michael Ball, but I did see it on tour and it was the show that made me interested in musicals.
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316 posts
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Post by ABr on Dec 16, 2019 8:33:31 GMT
I went for the one that I'm most looking forward too, but that could really go either way! I'll try and catch most of them, but there are some I really couldn't care less for! Its going to be an interesting year, and I can't wait to see what else might be announced
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6,358 posts
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Post by danb on Dec 16, 2019 9:53:12 GMT
Hairspray - it is one of my favourite musicals of all time, and it is the original production and choreography, not the Drew McOnie version (though I like that one, it is not as good as the Jerry Mitchell and Jack O Brien version). I never saw it in London, and not with Michael Ball, but I did see it on tour and it was the show that made me interested in musicals. I can always watch ‘Hairspray’. It’s undemanding fun but delivers some great moments. I just wish that the gorgeous movie version coda at the end of YCSTB was included. Imagine how that would sound played by a full orchestra in the Coliseum!
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638 posts
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Post by Oleanna on Dec 16, 2019 17:15:25 GMT
The Phantom of the Opera UK Tour!
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Post by sparky5000 on Dec 18, 2019 12:36:46 GMT
Probably Hello Dolly, Hairspray and Prince of Egypt for me for shows I’m most looking forward to.
I saw Frozen, Pretty Woman and Be More Chill on Broadway and didn’t love any of them 😬
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4,631 posts
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Post by Phantom of London on Dec 18, 2019 18:32:24 GMT
Mine is too secret and is strictly on a needs to know basis.
But I am getting the Cooties.
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Post by xanady on Dec 18, 2019 21:16:11 GMT
Have gone for BMC but also can’t wait to see Heathers on tour...will probs buy a season-ticket across the country lol...hope Jamie Muscato will be back on board.
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Post by intoanewlife on Dec 25, 2019 3:01:57 GMT
I am hoping we will finally get Great Comet and The Bands Visit.
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Post by FrontroverPaul on Dec 25, 2019 19:53:46 GMT
Surely time we got Groundhog Day back in the UK.
Having won Best New Musical at the 2017 Oliviers I'm perplexed why it hasn't yet been revived.
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Post by irisjeregenboog on Dec 25, 2019 20:29:58 GMT
I am very much looking forward to Monsoon Wedding!
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3,927 posts
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Post by Dawnstar on Dec 25, 2019 20:52:52 GMT
City of Angels is the only one of the shows in the poll that I have a ticket for so I've voted for it. I'm not particularly excited about it though, I'm just going out of curiosity because when it was on at the Donmar I thought the premise sounded intriguing but couldn't get a ticket. Unfortunately now they've started stunt casting the forthcoming production, which has lowered my expectations.
So far the only musical performance in 2020 that I'm actually excited about is Zorro at Cadogan Hall. I know it won't be the same in concert as the proper production was but after a decade it'll be great to see it again at all.
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225 posts
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Post by ukpuppetboy on Dec 27, 2019 7:32:36 GMT
I am hoping we will finally get Great Comet and The Bands Visit. I agree these actually would excite me - much more than anything on that list of revivals and uninspired film adaptations. Especially if they found their way to an intimate venue like the Donmar/Menier/Boulevard.
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Post by intoanewlife on Dec 27, 2019 15:22:09 GMT
I am hoping we will finally get Great Comet and The Bands Visit. I agree these actually would excite me - much more than anything on that list of revivals and uninspired film adaptations. Especially if they found their way to an intimate venue like the Donmar/Menier/Boulevard. I'd love to see both at the Young Vic, but I think they'd probably be far too costly to get the rights too for them. Comet certainly I don't think would fit in any of the venues you mentioned.
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455 posts
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Post by pianowithsam on Dec 27, 2019 19:01:05 GMT
I am hoping we will finally get Great Comet and The Bands Visit. I agree these actually would excite me - much more than anything on that list of revivals and uninspired film adaptations. Especially if they found their way to an intimate venue like the Donmar/Menier/Boulevard. Likewise with the above post, I don’t think Comet would fit Boulevard. Ghost Quartet is small and it works. Comet is big cast, big orchestra, and big show.
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Post by intoanewlife on Dec 27, 2019 19:19:26 GMT
I agree these actually would excite me - much more than anything on that list of revivals and uninspired film adaptations. Especially if they found their way to an intimate venue like the Donmar/Menier/Boulevard. Likewise with the above post, I don’t think Comet would fit Boulevard. Ghost Quartet is small and it works. Comet is big cast, big orchestra, and big show. I think Comets ideal home would be the Oliver. That would be absolutely perfect with the way it was set out on Broadway. They could easily put a staircase up to the circle along those side seating areas and the back of the circle is freed up for the amazing choral moments. That stage is massive with ample room for on stage seating and there isn't much overhang, so the stalls missing a lot of the action upstairs would be aleaviated. Unfortunately I think it'd be too expensive for them too. Malloy said at the Preludes Q&A that anyone who wanted to put it on would be looking at 5 million dollars.
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455 posts
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Post by pianowithsam on Dec 27, 2019 19:32:46 GMT
Likewise with the above post, I don’t think Comet would fit Boulevard. Ghost Quartet is small and it works. Comet is big cast, big orchestra, and big show. I think Comets ideal home would be the Oliver. That would be absolutely perfect with the way it was set out on Broadway. They could easily put a staircase up to the circle along those side seating areas and the back of the circle is freed up for the amazing choral moments. That stage is massive with ample room for on stage seating and there isn't much overhang, so the stalls missing a lot of the action upstairs would be aleaviated. Unfortunately I think it'd be too expensive for them too. Malloy said at the Preludes Q&A that anyone who wanted to put it on would be looking at 5 million dollars. Yeah. Olivier would be good. I could see it working out at Gillian Lynne too with some adjustments. Looks like the same shape seating in the circle.
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Post by intoanewlife on Dec 27, 2019 19:36:57 GMT
I think Comets ideal home would be the Oliver. That would be absolutely perfect with the way it was set out on Broadway. They could easily put a staircase up to the circle along those side seating areas and the back of the circle is freed up for the amazing choral moments. That stage is massive with ample room for on stage seating and there isn't much overhang, so the stalls missing a lot of the action upstairs would be aleaviated. Unfortunately I think it'd be too expensive for them too. Malloy said at the Preludes Q&A that anyone who wanted to put it on would be looking at 5 million dollars. Yeah. Olivier would be good. I could see it working out at Gillian Lynne too with some adjustments. Looks like the same shape seating in the circle. Yes! Very good idea! Get onto it please
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455 posts
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Post by pianowithsam on Dec 27, 2019 19:48:54 GMT
Yeah. Olivier would be good. I could see it working out at Gillian Lynne too with some adjustments. Looks like the same shape seating in the circle. Yes! Very good idea! Get onto it please I’ll keep you posted.
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Post by anthem on Jan 4, 2020 2:01:44 GMT
When does this poll close? Interested to see the results.
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Post by QueerTheatre on Jan 5, 2020 21:15:15 GMT
Likewise with the above post, I don’t think Comet would fit Boulevard. Ghost Quartet is small and it works. Comet is big cast, big orchestra, and big show. I think Comets ideal home would be the Oliver. That would be absolutely perfect with the way it was set out on Broadway. They could easily put a staircase up to the circle along those side seating areas and the back of the circle is freed up for the amazing choral moments. That stage is massive with ample room for on stage seating and there isn't much overhang, so the stalls missing a lot of the action upstairs would be aleaviated. Unfortunately I think it'd be too expensive for them too. Malloy said at the Preludes Q&A that anyone who wanted to put it on would be looking at 5 million dollars. Tbh 5 million dollars isn’t much for a big musical... my guess is that it will Happen eventually but either in 10/15 years at somewhere like the NT, or a Scaled down version on the fringe somewhere?
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Post by intoanewlife on Jan 5, 2020 21:24:03 GMT
I think Comets ideal home would be the Oliver. That would be absolutely perfect with the way it was set out on Broadway. They could easily put a staircase up to the circle along those side seating areas and the back of the circle is freed up for the amazing choral moments. That stage is massive with ample room for on stage seating and there isn't much overhang, so the stalls missing a lot of the action upstairs would be aleaviated. Unfortunately I think it'd be too expensive for them too. Malloy said at the Preludes Q&A that anyone who wanted to put it on would be looking at 5 million dollars. Tbh 5 million dollars isn’t much for a big musical... my guess is that it will Happen eventually but either in 10/15 years at somewhere like the NT, or a Scaled down version on the fringe somewhere? I believe Malloy/Chavkin had 'talks' with the NT when she was here doing Hadestown, but it appears nothing came of it. There was talk of a tent in Hyde Park after the initial Broadway production closed. Once again that all went silent. One of the original producers was interviewed last year by some Broadway youtube channel and he said it was definitely coming they were just waiting on Groban to become free to open it here. I think the rights may actually still be held by the Broadway producers who are currently being sued by investors in that production so who knows at this point.
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Post by Deleted on Jan 6, 2020 20:57:07 GMT
To be fair, The Great Comet started out in intimate venues off-Broadway and was received very well in such spaces. I think that I even recall some being worried that it wouldn't translate well to a big Broadway theatre, although it definitely did. It obviously has its big ensemble numbers, but it also has very intimate and quiet moments like the finale which would probably be even more effective in a smaller space.
Give me a fringe theatre, a pop up tent or a West End house. I'll happily see it again and again in any.
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