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Post by BurlyBeaR on Jan 29, 2018 16:40:07 GMT
There’s a show Saturday 31st at 5pm for £20 + £1.40 fee which might be handy for anyone travelling. Easter weekend though!
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16 posts
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Post by pajonk on Jan 29, 2018 19:54:50 GMT
Just booked a show on 21st April, an evening performance. I agree, it's a bit pricey! Does anybody have a photo of the interior of the theatre? Somehow I can't find it in google.
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721 posts
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Post by hulmeman on Jan 29, 2018 20:48:25 GMT
Just booked a show on 21st April, an evening performance. I agree, it's a bit pricey! Does anybody have a photo of the interior of the theatre? Somehow I can't find it in google. The auditorium is adaptable to suit the production. I've seen three shows at Hope Mill and each time the layout has been different.
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18,917 posts
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Post by BurlyBeaR on Jan 30, 2018 14:53:20 GMT
Just booked a show on 21st April, an evening performance. I agree, it's a bit pricey! Does anybody have a photo of the interior of the theatre? Somehow I can't find it in google. I think pretty much every time I’ve been the layout has been a thrust of one type or another. Beyond that it’s very hard to say because the space is very flexible and with 3 possible entrances to the auditorium and you never know if what was backstage at a previous show will now be the audience entrance. It’s a lovely theatre, hope you enjoy your first visit!
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Post by Deleted on Jan 31, 2018 10:40:02 GMT
Have just seen the pricing; £27 is a bit much. That's more expensive than a Southwark Playhouse musical!
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18,917 posts
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Post by BurlyBeaR on Mar 16, 2018 7:12:26 GMT
Virgin seat sale is on if anyone was thinking of a trip to Manc.
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Post by Deleted on Mar 22, 2018 11:45:20 GMT
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Post by Deleted on Mar 22, 2018 13:58:37 GMT
Oooh, thems some arms Darragh Cowley. He looks like a little Jay McGuiness.
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18,917 posts
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Post by BurlyBeaR on Mar 29, 2018 21:36:50 GMT
First preview tonight and that was a very accomplished performance. Not a foot wrong by the hugely talented and diverse young cast and good to see the adult roles played by age appropriate actors (Pippin!).
Design great, band (off stage) fantastic, LOVED the lighting which brought elements of a rock concert with banks of lights and spots. But I’d say it was a five star production of what I felt was a three star show. The book is odd, and when you boil it down not a great deal happens in Act 1 which dragged for me. It picked up massively in Act 2 and the last song which I assume is called Purple Summer looked and sounded stunning. There were some brilliant musical moments but far too many “filler” songs for me. Fantastic voices, occasionally drowned by the band but they’ll get that sorted I’m sure.
This is is definitely in the category of “musicals about subjects you wouldn’t expect to be a musical”. I think if you already like this musical you’ll love this production.
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4,631 posts
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Post by Phantom of London on Mar 29, 2018 22:20:42 GMT
Oh wow was you there too Burly? Thought I saw you or what I think was you.
I enjoyed it, stunning venue and great production values for a fringe type venue. This venue which I went to for the first time this evening, but seen their other productions elsewhere and they certainly know how to punch above their weight? Love Spring Awakening and excellently performed.
I like everything about this type of theatre and their ethos and wish both Joseph and William all the best in their endeavour, they have achieved a lot in just over a year!!!
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1,724 posts
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Post by stevejohnson678 on Mar 29, 2018 22:33:32 GMT
Alas, I fear this may be the "Are there day seats / how high is the stage?" question for this venue, but which door is the one used to enter the theatre for Spring Awakening?
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18,917 posts
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Post by BurlyBeaR on Mar 29, 2018 22:40:25 GMT
Alas, I fear this may be the "Are there day seats / how high is the stage?" question for this venue, but which door is the one used to enter the theatre for Spring Awakening? It’s the one right next to the bar.
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18,917 posts
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Post by BurlyBeaR on Mar 29, 2018 22:42:36 GMT
Oh wow was you there too Burly? Thought I saw you or what I think was you. I enjoyed it, stunning venue and great production values for a fringe type venue. This venue which I went to for the first time this evening, but seen their other productions elsewhere and they certainly know how to punch above their weight? Love Spring Awakening and excellently performed. I like everything about this type of theatre and their ethos and wish both Joseph and William all the best in their endeavour, they have achieved a lot in just over a year!!! Yes, I was in a group of bearded, portly types 😬 Pleased you enjoyed your first Hope Mill experience. It’s lovely isn’t it?
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18,917 posts
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Post by BurlyBeaR on Mar 29, 2018 22:48:27 GMT
Alas, I fear this may be the "Are there day seats / how high is the stage?" question for this venue, but which door is the one used to enter the theatre for Spring Awakening? It’s the one right next to the bar. And it’s a thrust, with about 10 rows of tiered seats facing the stage with a two rows of seats either side. On the sides the first row is floor and the second is the stool seating (which I’ve sat in and are fine). I don’t think there’s a poor seat for this, even if you got there late.
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Post by Phantom of London on Mar 29, 2018 23:09:33 GMT
Oh wow was you there too Burly? Thought I saw you or what I think was you. I enjoyed it, stunning venue and great production values for a fringe type venue. This venue which I went to for the first time this evening, but seen their other productions elsewhere and they certainly know how to punch above their weight? Love Spring Awakening and excellently performed. I like everything about this type of theatre and their ethos and wish both Joseph and William all the best in their endeavour, they have achieved a lot in just over a year!!! Yes, I was in a group of bearded, portly types 😬 Pleased you enjoyed your first Hope Mill experience. It’s lovely isn’t it? Thought that was you, shave; head, large , glasses and a beard. Was you outside afterwards in the rain, on your phone trying to get an Uber or something? If so I walked past you with a case, going to the tram. Don’t know if you remember? would have said hello to you, but didn’t see your badge and also you cannot just walk up to people and say “are you Burly bear”, you kind of look a right Tw*t if you ain’t.
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18,917 posts
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Post by BurlyBeaR on Mar 29, 2018 23:34:43 GMT
Yes indeed it was me. Say hello next time.
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Post by Phantom of London on Mar 29, 2018 23:43:49 GMT
Wow nice to see you briefly, do you remember me then? You’re big strapping lad who ate al, his veg, I wouldn’t like to get on the wrong side of you.
Great venue, incidentally Joseph and William were sitting next to me, at Miss Saigon on Tuesday, they’re a gat couple and sure they will be successful.
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Post by BurlyBeaR on Mar 30, 2018 0:10:29 GMT
Wow nice to see you briefly, do you remember me then? You’re big strapping lad who ate al, his veg, I wouldn’t like to get on the wrong side of you. @theatremonkey take note, next time you’re giving me cheek! 😠💪🙊
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3,080 posts
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Post by Dr Tom on Mar 30, 2018 9:58:39 GMT
First preview tonight and that was a very accomplished performance. Not a foot wrong by the hugely talented and diverse young cast and good to see the adult roles played by age appropriate actors (Pippin!). Design great, band (off stage) fantastic, LOVED the lighting which brought elements of a rock concert with banks of lights and spots. But I’d say it was a five star production of what I felt was a three star show. The book is odd, and when you boil it down not a great deal happens in Act 1 which dragged for me. It picked up massively in Act 2 and the last song which I assume is called Purple Summer looked and sounded stunning. There were some brilliant musical moments but far too many “filler” songs for me. Fantastic voices, occasionally drowned by the band but they’ll get that sorted I’m sure. This is is definitely in the category of “musicals about subjects you wouldn’t expect to be a musical”. I think if you already like this musical you’ll love this production. Glad it's good. I'm there on Monday and looking forward to it. I've only seen the Deaf West production before, which was rather unique. The auditorium layout sounds like the Pippin layout. How is the queuing working this time? Also, any gunshots or explosions in this one (feel free to put in spoiler tags)? There weren't in the Deaf West production, but that was unique and I remember there was a place where a gunshot could have happened. Would just be nice to know to save me sitting on edge all show.
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Post by BurlyBeaR on Mar 30, 2018 10:12:10 GMT
No, that point in the story is dealt with differently. No bangs. The modern choreography is quite loud, heavy boots stomping on the wooden stage when the boys are dancing but it’s not jumpy.
Yes it’s a similar layout to Pippin although the stage isn’t raised. Coloured token when you check in at the bar so do that immediately as you arrive. Then the audience is seated in three groups based on what colour you are. The only place to avoid if you’re not tall is the second row of the tiered section facing the stage because it’s on the floor, so you have people at the same level in front.
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Post by Phantom of London on Mar 30, 2018 11:30:07 GMT
I also saw the Deaf West production, which I agree was unique.
Speaking from a person who hates gunshots, like to add that a gun is visible, but there are no sudden bangs from the device or the sounddesk.
I was blown away by the production values, at the given size of the venue, the production values are as good in terms of lighting, sound and scenery as the Menier Chocolate Factory. When I first walked into the venue, I thought this must be a theatre first, a venue with fresh doors and windows, must be interesting for a matinee, I didn’t know this was all part of the set.
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578 posts
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Post by michalnowicki on Mar 30, 2018 11:35:43 GMT
you cannot just walk up to people and say “are you Burly bear” That's why I've been getting the weird looks...
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Post by Deleted on Mar 30, 2018 18:12:21 GMT
Really annoying when they carry on posting on social networks but ignore questions incoming.
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18,917 posts
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Post by BurlyBeaR on Mar 30, 2018 19:36:32 GMT
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Post by BurlyBeaR on Mar 31, 2018 16:13:22 GMT
Ok so after damning it with faint praise (the material, not the production) I can’t stop thinking about this show and I think I’m going to have to go back. I’ve been scouring YouTube for Song Of Purple Summer in particular and cannot find a version better than I saw performed in Manchester the other night, and that includes Broadway with Lea Michele.
I was just listening to an interview with Joe Houston one of the owners of HM and the story of how they started the theatre is pretty inspiring. No bank loan, just £10,000 in savings and loads of favours got them up and running. And after visiting for the last couple of years their evolution is really apparent. From the way the bar area has developed to the tiered seating arriving. It’s better every time you go and evidence of how they’re investing everything they make back into the business. Two more musicals yet to be announced this year after Aspects.
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Post by onceuponadecember on Apr 2, 2018 14:00:56 GMT
Do you think this production will ever transfer to London? I want to see it so bad but I live too far away
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Post by Deleted on Apr 2, 2018 14:08:41 GMT
Do you think this production will ever transfer to London? I want to see it so bad but I live too far away Yet to see it, but given sales an interest in it on this I'd expect so.
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Post by BurlyBeaR on Apr 2, 2018 22:23:05 GMT
Do you think this production will ever transfer to London? I want to see it so bad but I live too far away I think it’s probabky the highest production values I’ve seen of all the HM musicals. Depends on the press I suppose but I wouldn’t be surprised. It would suit the SWP.
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Post by Phantom of London on Apr 2, 2018 22:43:09 GMT
Do you think this production will ever transfer to London? I want to see it so bad but I live too far away I think it’s probabky the highest production values I’ve seen of all the HM musicals. Depends on the press I suppose but I wouldn’t be surprised. It would suit the SWP. It will transfer, but not to the West End, due to the original getting excellent reviews and flopping. I agree with Mr B on it could transfer to the SWP or even the Arts Theatre, but it will come down as it has the powerful Katy Lipson behind it, or is the Sonia Friedman of the fringe scene. Glad Mr B agrees with me on the production values. Also doesn’t it make sense that SWP and and HM should work together on their artistic programme, with musicals being exchanged, for instance The Rink going to Manchester after London, as you have shelled out for all the sets, lighting, costumes and rehearsals, so costs in Manchester would be wages, accomadation and marketing, it keeps actors in work for a month extra, with minimal costs, also keeps an active production in the venue, when it maybe it maybe dark. Same as HM shows coming to London to the SWP - makes great business management sense. Shows at SWP that come down via HM, still can transfer to the West End if good enough.
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Post by firefingers on Apr 2, 2018 22:44:35 GMT
More depends on who has the rights for London. I suspect someone does otherwise I feel a fringe revival would have happened by now.
Seeing it next week, with a friend who adored the original London production. Hopefully this can live up to it.
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